
Three years ago, Taryn Brumfitt could never have thought she’d be a filmmaker, but when her personal story went viral, she realised Embrace was needed.
Three years ago, Taryn Brumfitt could never have thought she’d be a filmmaker, but when her personal story went viral, she realised Embrace was needed.
Down Under writer/director Abe Forsythe reveals the road he took to write and develop a comedy that revolves around a race riot.
Behind the eclectic concepts of Brilliant Stories is a myriad of female voices, some of which have yet to be heard at this level before.
Gender Matters aimed to create a surge of female stories through Brilliant Stories, but how do you ensure long-lasting change? Enter: Brilliant Careers.
Vicki Madden’s enviable career encompasses police dramas in the 90s, running The Bill in the UK and co-creating The Kettering Incident back home in Tassie.
Jessica Hobbs has directed more than 60 hours of TV drama, from The Slap to Broadchurch. Here she talks career progression.
Orange is the New Black showrunner Jenji Kohan talks Wentworth, The Katering Show and why diversity needs to be the norm, not a trend.
As the views climb for Suspect Moustache and Traffic Jam the Musical, creators Ariel Waymouth and Shae-Lee Shackleford share their favourite YouTubers.
Virtual reality technology offers a whole new immersive experience for audiences and exciting possibilities for filmmakers.
Having amassed millions of views with their car lipsync videos, SketchShe decided to take their work to the next level. Enter Traffic Jam the Musical.