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One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?

As The Wrong Girl and Deep Water hit screens Twitter’s Tony Broderick talks about the Screen Australia initiative helping these TV dramas.

Australian producer Bruna Papandrea of Gone Girl and Wild reflects on her career trajectory, emphasising the importance of mentors for budding filmmakers.

Screen Australia launches a comprehensive report into diversity on Australian screens to inform the conversation and calls for real, long-lasting change.

Behind the eclectic concepts of Brilliant Stories is a myriad of female voices, some of which have yet to be heard at this level before.

Gender Matters aimed to create a surge of female stories through Brilliant Stories, but how do you ensure long-lasting change? Enter: Brilliant Careers.

Shot entirely in southern Tasmania, the landscape has a starring role in Foxtel’s new drama The Kettering Incident.

Creator Ryan Griffen walks us through the densely layered world of Cleverman, brimming with creatures, culture and suspense.

Screen Australia CEO Graeme Mason and writer Benjamin Law take stock a year on from Miranda Tapsell’s rousing call for more diversity at the Logies.

Freedom to take risks and ability to tap into mass audiences, online storytelling is becoming a key player – a trend set to continue with Skip Ahead #3.

For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.

The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.

Video on Demand (VOD) is providing docos with a global platform to get their films noticed and experts are calling it a “no-brainer” for Aussie filmmakers.

The Australia-China screen relationship is deepening in features, children’s programming and documentaries. Don Groves finds out why.

With Looking for Grace and The Daughter both film festival darlings, Odessa Young is suddenly finding herself in the spotlight.

Never underestimate the intern. That’s one take-home message from Cleverman, the series that premieres at Berlinale before its ABC TV debut later this year.

When Molly airs, it will kick off another year of miniseries based on the lives of Australian personalities – a trend that isn’t showing signs of slowing.

Step inside the gated home of Sydney’s new millionaires and see what all the fuss is about with Here Come the Habibs.

Epic genre series Cleverman is selected for Berlinale, not only commending the quality of Indigenous storytelling, but changing attitudes toward TV too.

A new generation of Aussies are flocking to the web to create fearless, gut-busting comedy, and grabbing the attention of decision-makers and fans alike.

Diversity shouldn’t be the central focus of a series, but simply exist within a moving, engaging and universal story, says Tony Ayres.

As the cost and risk of creating home-grown TV increases, Screen Australia’s role in supporting locally-made series is more vital than ever.

It took a trip to geek mecca San Diego Comic-Con for Robert Mond to realise what his first feature needed to be.